Free improvisation vs. "hack-created" jazz
 

Prevost cites Sidney Finkelstein: "the definition of jazz as 'pure improvisation' arose only when jazz performers were almost drowned by the flood of hack-created, tin-pan-alley tunes, and the jazz player had to fight his material; to make something out of it"
 
in Jazz: A People's Music, 1964
 
feels oddly relevant for the generative AI age

> from Edwin Prevost's No Sound Is Innocent: AMM and the Practice of Self-Invention (1995)

> tagged with #capitalism, #improvisation, #jazz

> created March 17, 2026 at 9:35:49 AM


> part of unfinished everything


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unfinished everything is an original work / ongoing project (1997-present) by jeremy p. bushnell

selection, arrangement, and original text available for creative reuse under this licensing arrangement

authors' quoted words are their own.


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