Vernacular performance and catchphrases
 

Warner 102: "You don't just mechanically repeat signature catchphrases. You perform through them your social placement."
 
You ideally seek "a differential stance toward the field of their circulation [...] performed stances can range from immersion to irony or aggresivity"
 
there is always some "affective charge: hipness, normalcy, hilarity, currency, quaintness, freakishness"
 
"What is called 'vernacular' performance is therefore in reality structured by a continually shifting field of artfulness in managing the reflexivity of mass circulation"
 
perhas "a folk or popular style in the 'appropriation' of mass culture," though Warner seems a bit suspicious of this take
 
"[T]he maintenance of this feedback circuit [...] often takes the form of humor," suggesting "that, as with all joking, there is a lively current of unease powering the wit"

> from Michael Warner's Publics and Counterpublics (2005)

> tagged with #appropriation, #culture, #media, #performance, #language

> created August 23, 2024 at 12:10:16 PM


> part of unfinished everything


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unfinished everything is an original work / ongoing project (1997-present) by jeremy p. bushnell

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