work "largely driven by saxophone and real-time looping/sampling/processing" (BLASTITUDE)
album With Many Hands "something more like thick ethereal noise ambient [...] This doesn’t sit comfortably in any obvious genre, and that’s always a good thing."
the Reader has this on Best Overlooked Chicago Records 2025: "Its slow-moving, almost ambient songs, built largely from reeds, electronics, and voice, span a kaleidoscopic range of moods and textures. On 'Cry,' Clausen uses an effects pedal to stretch out a resonant woodwind note like a fitted bedsheet, providing a canvas for her somber singing to move across the song in a dramatic, elegant sweep"