Roscoe Mitchell's Sound
recorded in Chicago, 1966
with Lester Bowie and Malachi Favors
Toop 137: "an excellent example of the complete departure from free jazz and its propulsive expressionism. 'Sound' and 'The Little Suite' both explore cries and whispers at the edge of instruments, many of the sounds allowed to develop quietly in solo space or oblique duets, rhythm used as a color, an emphasis, part of an aural theatre of signs"