Instrument-maker, performer, and composer Galindo works with "migrant artifacts, Border Patrol ephemera, and scraps of wall- and fence-building materials [...] all born of the border's convergence of federal architecture and military surveillance with the intimate vulnerabilities of migrant risk and passage--Fluxus rewired for the age of border enforcement and mass migrant loss"
"What if a ready-made could make us think not only about the status of an art object but the status of migrant rights?"
"Along with traditional mallets and bows, he follows in the experimental ready-made traditions of Harry Partch, Lou Harrison, the Italian Futurists, and the Mexican Estridentismo [Stridentism] movement, among others, and uses chopsticks, nails, hammers, and toy cucarachas 'to activate the vibrations that produce the sounds'"