Cage's poetry work--described by Kienle here as "chance-based nonsyntactical arrangements of letters and words"--seen a certain way, could be viewed "as a counter-attack to the 'incitements to discourse' that Foucault and Deleuze respectively associated with a new form of power" (Raymond Blake Stricklin's argument)
Cage, 1975: "[W]e need a society in which communication is not practiced, in which words become nonsense as they do between lovers"