Bernstein alludes to Bruce Andrews' "counterhegemonic project"
"A way to think through, via parataxis, the relation among formal, antiaccomodationist, group-identified, cultural, regional, and gender-based poetic tactics so that they form a complementarity of critiques, projected onto an imaginary social whole in the manner of negative dialectics"
for more, see Bruce Andrews' "Poetry as Explanation, Poetry as Praxis" in The Politics of Poetic Form: Poetry and Public Policy