Editorial: "Offers what is arguably the first sustained theory of Asiatic feminism, filling a glaring absence in critical theory; [b]rings legal history, cinematic history, and art history into a dynamic conversation; [p]roposes a brand new way to approach the well-rehearsed problems of racial and sexual commodification and objectification; [s]upplies original readings of previously overlooked materials: one of the most important habeas corpus cases of the 19th century, a fashion show at the Metropolitan Museum, a film by one of the great 'race actresses' of the 20th century, and more"
references in Aurelia Gao's World of Interiors